Part One is here
Part Two is here
Part Three is here
Chicago, 1933-34
Five years of marriage and motherhood notwithstanding, Lydia, at 21, was a young woman with remarkably limited knowledge of the world beyond the neighborhood where she’d lived all her life. Her formal education had ended after fewer than two years of high school, and her career as a shop girl ended with her first pregnancy. She had her hands full with three kids under the age of four years living a small apartment in the days before preschool, play groups or daycare, with no helpful grannies to pick up the slack. When her younger sister Mabel joined her household, Lydia was expected to function in loco parentis to a girl who’d entered adolescence with even less attention and affection than she herself had known.
Lack of life experience is one possible explanation why Lydia did not think it odd when, a few weeks after Mabel’s arrival, Howard invited her sister to sleep with them in their bed (the sofa was so narrow and lumpy); other possibilities would have to include stunning stupidity or simply exhausted distraction.
The kids slept in one bedroom. The three (sort of) adults shared a double bed in the other. Lydia’s place on the crowded mattress was in the middle, an inconvenient spot from which to respond to the nighttime needs of little children. If the kids were fussy or sick she’d curl up on Doris’ bed in the nursery, which was a lot more convenient than climbing over the sleeping bodies of her husband or sister again and again.
Maybe Mabel, at 16, was as ignorant of human sexuality as her older sister had been at about that age, or maybe, unmoored and un-mothered, she simply responded to sorely needed physical affection. Howard’s age and far greater experience—he was an adult, married, and the father of three children—gave him a lot more to answer for. If deflowering his orphaned underage sister-in-law in the marital bed while his wife tended to their children in the next room might possibly be seen as an act of spontaneous sexual combustion, keeping the ensuing affair at a steady burn definitely required ongoing thought and a certain amount of effort. Mabel now cut classes to ride along on Howard’s delivery routes, sitting on the jump seat in the front of the van and chatting with her smartly uniformed lover while the truant officer pounded on the door of the Vincennes Avenue apartment, demanding from the harried Mrs. Tatro an explanation as to why her sister wasn’t at school—again.
At home in the apartment, Mabel was increasingly cheeky, stealing her sister’s lipstick and rolling her eyes when Lydia yelled about her playing hooky. She yelled right back while Lydia lined up the kids and fed them their dinners, gave them their baths and buttoned them into their jammies. Howard, declining to support his wife’s admittedly shaky advocacy of a high school education, took to nipping down to the corner social club for a boilermaker or two, waiting until the shrieking died down before venturing back, very late, to slip into the bed he shared with both girls. Variations of this scene were repeated nightly, for months, without the true source of tension in the household being unidentified.
Howard was apparently so confident of Lydia’s continuing cluelessness about his affair with her sister that he scarcely bothered with a credible excuse when he asked for her wedding ring. “I’m going to take it to the jeweler’s for cleaning,” he said, and sure enough she pulled off the narrow gold band and handed it to him without question.
But the outer limits of Lydia’s vast naïveté were finally breached when Mabel returned to the apartment one evening soon after, wearing the ring on the third finger of her left hand. The younger girl’s face was ashen, her gait wobbly, and she was bleeding heavily into thick cotton wadding packed between her legs.
In 1932, medical termination of pregnancy was legally sanctioned if the mother’s life was in danger—or, more loosely, if the birth of a baby was a matter of life and death. In an era when orphanages were filled with kids whose parents could not provide for them, practical application of the law reflected the indisputable truth that if a pregnant married woman stated that she could not feed another mouth, it was indeed a matter of life and death. Sympathetic doctors would provide these women with relatively safe medical abortions for a relatively modest fee. The salient modifier here is "married." The harsh realities of life in the Great Depression may have turned married women with unwelcome pregnancies into figures deemed worthy of discreet sympathy and affordable medical terminations, but unmarried pregnant women were still, as ever, simply sluts for whom the risk of back-alley abortions was but one of the just wages of sin.
So Mabel became “Mrs. Howard Tatro” for one unforgettable day. A doctor listened as the young couple—and the missus did look awfully young, twisting her wedding ring and weeping as the husband held his arm around her shoulders in stoic support—explained they already had three young ones, and could not afford to support another. The doctor agreed that it was a matter of life and death, and Mabel’s pregnancy was terminated in his office that afternoon. Afterward, Howard drove her back to the apartment in his delivery van and disappeared, leaving his wife to care for her sister, who was badly shaken, bleeding, and in a lot of pain. As Lydia belatedly connected the dots and choked out her outrage, Mabel became hysterical. She refused to take off Lydia’s wedding ring: she was Howard’s true wife, she said. Howard loves me, not you, she told Lydia defiantly. She would get pregnant again and Howard would divorce Lydia and marry her. Just wait and see.
Lydia, galvanized into action at long last, didn’t wait to see anything. She threw Mabel out of the apartment. Mabel, pounding on the door with diminishing vigor, continued sobbing about Howard, but Lydia, her frightened babies bawling and gripping the hem of her skirt like sucker fish, stood fast. Pretty soon the neighbors started pounding on walls, too, and Mabel left, making her way to Aunt Ems’ boarding house, where she collapsed and refused to talk about what had happened. Howard stayed away for several days; Lydia didn’t know if he would ever come back.
In stark legal fact, 24-year-old Howard’s seduction and subsequent impregnation of a 16-year old girl were criminal acts under the statutory rape laws of the state of Illinois. In most families, the fact that the girl was his orphaned sister-in-law seeking shelter in his home would mean at the very least he’d have some explaining to do. The way it played out on Vincennes Avenue, where selected members of the extended family gathered to deal with the crisis, a minority share of responsibility for the affair was apportioned to Lydia, whose husband might not have strayed if she’d been more attentive to his needs. The bulk of the blame was placed on 16-year-old Mabel, whose pregnancy, terminated or not, was incontrovertible evidence of flagrant immorality. The identity of the father was not really the point. If before she was simply out of control, now she was tainted by illicit sex. It was feared that, unchecked, she might continue sleeping her way into full-fledged sluthood, and her life would be irrevocably ruined.
Therefore, Aunt Em, Mabel’s legal guardian, filled out the forms that consigned her to a facility whose straightforward, descriptive name said it all: The Home For Wayward Girls. Mabel was incarcerated there until her eighteenth birthday. Her sisters, Lydia included, visited her at the Home on weekends and holidays. Sometimes Lydia brought the kids along, too. Howard, as per his agreement with his wife, stayed away.
At the time, Howard pretty much got a pass on his enormous betrayal of his family, the logic being that men are slaves to their needs, and anyway he had three children and a wife to support. Would good would legal consequences serve? Better to at least try to forgive, even if forgetting seemed highly unlikely.
Not surprisingly, the women could do neither. The brief Howard-Lydia-Mabel triangle would shape a volatile, endlessly re-igniting dynamic between the sisters that was characterized by bitter, fierce affection and operatic acts of revenge; they carried their pain and anger over Howard intact to their graves. But in the immediate aftermath of the affair, Mabel was out of the picture and Lydia and Howard’s marriage was patched up with promises and pressure from the family. Within a year Lydia bore her fourth child: Jacqueline Lee, held here by Howard's father Oscar.
